Friday, September 30, 2011

Fox Builds up Comedy From 'MadTV' Author, ABC Art galleries (Exclusive)

Scott King MadTV's Scott King has offered his second project this development season. Fox has acquired The After Wife, from ABC Art galleries and King, with Brillstein Television's JoAnn Alfano set to executive produce. The comedy involves four people, all whose close ties ended due to various ripoffs, who meet and bond together. King, whose credits include Logo's The Big Gay Sketch Show, will pen the project and executive produce alongside former Lifetime executive Alfano. Furthermore, the APA-repped King has signed with Anonymous Content for representation. King has furthermore offered Stuck backwards to ABC. The ABC Art galleries project, executive produced by Mark Gordon as well as the Mark Gordon Co.'s Andrea Shay, involves a parent or gaurdian which has a near-dying experience must heal his old wounds along with his children. Email: Lesley.Goldberg@thr.com Twitter: @Snoodit RELATED: Hot Producer Mark Gordon Unveils What TV Projects the Systems Are Buying ABC Art galleries TV Development The Aim Gordon Company

Wednesday, September 28, 2011

Parents Television Council Wants More Entrepreneurs to lower Playboy Club

Amber Heard The Oldsters Television Council states seven companies have attracted their advertising from NBC's The Playboy Club, and wants more to follow along with together with suit. "The Playboy Club can be a commercial disaster and really should be studied from the airwaves. We demand the network to cancel this degrading and sexualizing program immediately," PTC Leader Tim Winter mentioned. Kraft, Sprint, Lenovo, UPS Store, Subway, P.F. Chang's China Bistro and Campbell's Soup did not advertise round the show's second episode. Have a look at our fall preview for galleries, scoop, premiere calendars plus much more! The Playboy Club, some time drama starring Eddie Cibrian and Amber Heard as denizens in the first Playboy Club in Chicago at the begining of '60s, dropped about twenty percent in viewership in Week 2. According to TVGuide.com's Recognition Contest, 49 percent of clients did not like the debut. The ratings indicate that "anymore airing in the show not only pushes an anti-family agenda, but can be a profoundly bad business decision," Winter mentioned. Photo timeline: The emasculation of males on tv "PTC will probably be getting in touch with its people together with other concerned people to get hold of the sponsors," Winter added. "Today, we request Capital One, Chrysler and Samsung if their corporate values are consistent with people in the Playboy brand." NBC told TVGuide.com: "Conversations we've with this particular clients regarding media plans with this particular, or any other show, are between us and them."

Friday, September 23, 2011

Dwarf Skit on E!'s 'The Soup' at Center of First Amendment Fight

Kevin Winter/Getty Images A few years back, E!'s comedy clip show The Soup featured a brief spoof ad for any imaginary TLC reality reveal that ended up being to be named Fertile Little Inked Pageant Parents Who Enjoy Baking. The concept ended up being to aggregate the looniest yet constantly popular reality TV memes together, therefore the Soup required a photograph of achondroplastic dwarves and changed the look to incorporate outlandish elements, including 27 children, a lot of whom had matching tats and were putting on lingerie over their clothing. The show is facing a legitimate threat in the dwarves who have been proven throughout this segment. The suit in Philadelphia is rapidly developing right into a test of whether an indicator that somebody warrants a crazy reality Television show should receive First Amendment protection like a parody. Cara and Gibson Reynolds, a dwarf couple, say their photo was apparently ripped from an AP article in regards to a pretty serious subject: the ethical limitations in permitting parents to produce "perfect" babies. Within the article, the Reynoldses were cited as saying, "You can't let me know which i cannot possess a child who's likely to seem like me. The pair prosecuted Comcast, E! Entertainment, and Soup host Joel McHale with claims of defamation, misappropriation of likeness, false light invasion of privacy, illegal enrichment, and intentional and negligent infliction of emotional distress. On Thursday, Michael Berry, the attorney representing Comcast, wasin a Philadelphia court so that they can obtain the suit ignored. The skit "might have been crass, might have been juvenile, might have been tasteless ... however it's not actionable underneath the law," Berry told a judge, based on Courthouse News Service. Comcast contended that recommending someone ought to be on the reality show isn't defamatory, and pointed tothe Top Court's famous decision inHustler Magazine v. Falwellwhere the justices all ruled that the cartoon picture of Reverend Jerry Falwell inside a drunken incestuous rendezvous together with his mother was parody, and therefore protected through the First Amendment. "This piece is pure fantasy," stated Berry, adding that no actual details concerning the Reynolds were broadcast. "Whether you refer to it as parody, comedy or simply a poor joke, nobody would take this seriously concerning the Reynolds." In reaction, Herman Weinrich, a lawyer for that couple, contended that his clients, unlike Falwell, weren't celebs, that there is an implied suggestion the dwarf couple made "their living by taking advantage of their kids,Inch which the mere realization they they're dwarves "shouldn't make sure they are the item of ridicule, of scorn and contempt." The situation boosts lots of issues: Who exactly is really a public estimate age reality television? Does giving a job interview and saying yes to become captured pics of turn private people into limited politicians? Forever? So that as television is constantly on the go the length in searching for the bizarre, what is ripe for parody? Heck, what's parody anyway? E-mail: eriqgardner@yahoo.com Twitter: @eriqgardner Joel McHale

Thursday, September 22, 2011

Ratings: The X Factor Debut Underwhelms

Geo Godley After all the hype, Fox's The X Factor debuted to a relatively underwhelming 12.14 million viewers and a 4.2 rating among 18-to-49-year-olds, preliminary Nielsen data show - far shy of American Idol's numbers for its Season 10 opener. In comparison, that Idol debut attracted 26.2 million viewers and a 9.7 in the advertiser-coveted demo. The X Factor finally premieres: Let's review it together! To be fair, the new show's Nielsens actually are somewhat better than The Voice and The Sing-Off, which were deemed "hits" for NBC. But Cowell and network executives were just asking for negative comparisons to Idol by saying Factor would be "the biggest show on television, the biggest show in the world ..." On Thursday, Fox execs were saying that expectations - which they helped foster - were "ridiculous." Nevertheless, The X Factor actually won prime time's first hour with 11.72 million, against the premiere of CBS' Survivor: South Pacific, (10.35 million), ABC's The Middle (9.35 million), NBC's Up All Night (6.04 million) and Free Agents (3.86 million) and the CW's H8R (1.3 million). Who's A.J. Cook's dream Criminal Minds guest star? But it was all downhill from there. How bad did it get? The Simon Cowell-Paula Abdul reunion show, marked by the lowlight of a contestant exposing himself on stage,came in third in its second hour - to ABC's Emmy-winning Modern Family (14.29 million viewers, 6.0 demo rating -- up 18 percent from a year earlier) and CBS' Criminal Minds (14.07 million, 4.1). Rounding off the hour were the second-season opener of NBC's Harry's Law (7.30 million, 1.2) and America's Next Top Model on The CW (1.56 million, 0.7). Fall Preview: Get scoop on your favorite returning shows Ted Danson's debut as the new supervisor on CSI: Crime Scene Investigation won the last hour of prime time in total viewership with 12.59 million and a 3.1 in the demo. Demo rating bragging rights, though, went to Emily VanCamp's return to television on ABC's Revenge (10.15 million, 3.4 demo). The 13th season debut of Law & Order: Special Victims Unit finished third in the three-way race (7.60 million, 2.3).

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Wednesday, September 14, 2011

'World War Z' Director Marc Forster Explains 'Different Approach' To Film Adaptation

Ever since the "World War Z" film synopsis hit the Internets last month, the most loyal fans of the beloved Max Brooks novel have been up in arms about the fact that the movie is trading out Brooks' post-war setting in favor of having star Brad Pitt's character, a U.N. staffer, fight to stop the Zombie pandemic from wiping out the entire population. MTV News recently caught up with director Marc Forster during the Toronto International Film Festival where he was promoting his upcoming film "Machine Gun Preacher" to find out how he is approaching the translation of Brooks' novel from page to big screen. "The idea, obviously the book is not written as a narrative, you try to take things from the book, but at same time you're changing certain things," Forster explained. "I do feel we're trying to keep it in the spirit of the book because it's important. Forster said that he realizes the fans want as faithful an adaptation as possible, which he wants to stay true to, but at the same time he has to make a movie that stands on its own. "We are doing our own film, telling our own story because we had to," he said. "But trying to still include as much as we can from the book." Forster went on to say that one of the biggest points of discussion or contention is deciding how the zombies move. "In Max Brook's book they move in the George Romero fashion. I feel like we have a little bit different approach," he revealed. "But it doesn't exclude that they might not eventually be fashioned how George Romero's zombies move, it's just a little bit different approach," Forster said. "I think that will probably be the biggest discussions that there will be." What do you think of Forster adapting "World War Z?" Tell us in the comments or on Twitter!

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Sunday, September 11, 2011

Rhino to release 'Brooklyn' soundtrack

Rhino Entertainment has signed to release the soundtrack to "The Brooklyn Brothers Beat the Best," on the heels of the film's worldwide premiere at the Toronto International Film Festival."Brooklyn Brothers" stars Ryan O'Nan, who also wrote and directed the film, along with Michael Weston, Arielle Kebbel, Melissa Leo, Andrew McCarthy, Christopher McDonald, Jason Ritter, and Wilmer Valderrama.Soundtrack will feature original songs performed in the film by the fictional band -- consisting of O'Nan and Weston -- including "Come On Girl" and "Someday." O'Nan wrote a majority of the original songs featured in the film, while friends Brendan Leach and Keith Freudenberger also contributed.Pic tells the story of a singer-songwriter who, after a tumultuous break-up with his girlfriend, is on the verge of giving up his childhood dream of being a musician until he has a bizarre and violent run-in with a self-appointed music revolutionary who convinces him to make one final attempt to pursue his goal. Film sales are represented domestically by ICM and internationally by Hollywood Studios International. Contact Dave McNary at dave.mcnary@variety.com

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Charlie Sheen Roast: 10 Things Been submitted the Comedy Central Event

The primary warlock themselves, Charlie Sheen, was celebrated on Saturday evening within the Comedy Central Roast within the recognition. Roastmaster Seth MacFarlane poked fun within the well-known actor, reading through via a pre-written obituary right before inviting Sheen towards the level. MacFarlane quickly noted the obit will be a fake of Amy Winehouse's, that they only made three edits: Gender in the deceased, location of dying and reference to the "a talent who certainly are missed."our editor recommends'Two . 5 Men's' Ashton Kutcher, Chuck Lorre Talk Charlie Sheen, Series RebootBruce Helford In Predicts Showrun Charlie Sheen's 'Anger Management' 'Two . 5 Men' New Promo Shot: Sings Support? (Photo) PHOTOS: Charlie Sheen's Colorful Career MacFarlane was grew to become an associate of by Jeffrey Ross, William Shatner, Anthony Jeselnik and Amy Schumer since the most well recognized roasters in the evening. Jokes ranged from harmless injections at Mike Tyson's face tattoo and Jon Lovitz' chins (Chinning), to zingers specific at Sheen's public custody of the children from the children fight. Jeselnik went up to now regarding proclaim, "really the only reason you're on tv to start with [Charlie] is really because God hates Michael J Fox." PHOTOS: Charlie Sheen Tour The Hollywood Reporter involved the red-colored-colored carpet and inside the show soaking in many the knowledge. From Ross' bizarre wardrobe choice, with a rumored two and a half Males viewing party, read 10 things been submitted the Sept. 10 event. VIDEOS: Charlie Sheen's Craziest TV Interviews 1. Ross strutted lower the red-colored-colored carpet fitted as Muammar Gaddafi, between two similarly fitted ladies. "The particular Gaddafi is hiding in Charlie Sheen's nostrils at this time around,Inch he joked to reporters. Everyone else reaches hysterics throughout his bit, possibly most likely probably the most amusing the evening, although of his fellow roasters gave a standing ovation carrying out a act. His opening line: "Pals, roasters, enablers... Lend Mike Tyson your ears." 2. Outdoors, the red-colored-colored carpet was lined with half naked goddesses, each utilizing their right breast uncovered and covered in white-colored body fresh fresh paint. Inside, women wearing goddess wigs shown people for their seats. 3. Spotted concerning the red-colored-colored carpet: Sheen's ex-wife Brooke Mueller, telling reporters she was "excited" to remain in attendance. Inside, Mueller reaches hysterics when Tyson recognized to Denise Richards as "The C Word." Other camera scans shown her chuckling, though many jokes were made at her expense -- particularly in reference to the the first sort couple's very public domestic abuse situation. 4. The show's highlight reel incorporated many clips from Sheen's past additionally to his media circus taken. Noticeably absent: any footage from two and a half Males. The network suggested the void with text, implying that they're legally unable to air Warner Brothers and sisters' Males footage. Meanwhile, Males creator Chuck Lorre and former co-star Jon Cryer were busy anywhere showing within the Creative Arts Emmys. Folks from his new Lionsgate project, Anger Management, were attending and Sheen told THR that he's considering "a few names" to co-star. 5. Before beginning his face into Tyson's fist, creating a bloody broken nose, Steve-O told THR that Sheen plans to experience a two and a half Males viewing party, including all of the roasters. The crowd will watch CBS and Comedy Central at the same time in Sheen's home theatre. Elsewhere, on ABC, Dwts will debut its thirteenth Season, which Steve-O is certainly an alumni. "For me I am likely to be watching two and a half Males with Charlie at his house," the Jackass star mentioned. "He's gonna have most of us over In my opinion -- No less than he desires to.In . 6. The region was buzzing about Kate Walsh's participation, since the most unforeseen roaster in the evening. MacFarlane addressed her through the panel by saying, "Kate, the reason behind here? What's happening here? You should not be around.Inch Inside, she looked nervous while sitting between roasters Jeselnik and Lovitz. Though she produced a few recently act zingers, her performance met with groans. Sooner or later, Lovitz pretended being asleep. 7. Tyson did what everyone may have expected him to accomplish -- offer the podium and spew some unintelligible banter. After his act, roaster Schumer asked for the region how he'd done, since she'd "no f***ing idea what he mentioned." Knowing with the teleprompter, his ill-fated jokes were really quite funny on paper. Tyson did draw large laughs for starters early joke: "Throughout your speed [Ross,] If perhaps I bit my own, personal ears off." 8. Sheen looking at his throne (getting a glass of water) apparently experiencing every minute in the event. The guest of recognition did cringe, however, since the roasters needed injections at his kids and also the mother, whom Jeselnik recognized to as "some dumb bitch." 9. The funny Patrice O'Neal needed the podium to criticize his fellow roasters performances, telling Steve-O that his new sober act "stinks" which Captain Kirk is "a f***ing a**hole." For his act, O'Neal operated almost entirely off script. 10. Sheen shown that despite his whirlwind year, there's still fight left in him. "Once again, I have emerge untouched. You'll be able to't hurt me. Hell, I am in a position to't even hurt me. Drugs couldn't kill me, sex couldn't kill me, the press couldn't kill me. two and a half Males couldn't kill me. Perhaps you have think your little jokes were gonna hurt me?" he challenged. "I'm finished with the 'winning,' because I've already won. This roast may be over, however'm Charlie Sheen, too as with here burns an eternal fire. I must make certain to maintain it from the crack pipe." The Comedy Central Roast of Charlie Sheen airs Monday, Sept. 19, within 24 hrs as 's two and a half Males debut on CBS. Related Subjects Charlie Sheen Comedy Central two and a half Males

Saturday, September 10, 2011

New Jason Bourne Poster Online

Tom Cruise & the Ghost ProtocolWe're already rather searching toward Jason Bourne - Ghost Protocol simply because it daringly breaks from colon-focused punctuation from the series up to now. Like a bonus, additionally, it has Pixar's Kaira Bird pointing, very much of the cast put together plus some very promising trailers to date. The state synopsis describes the plot thusly: The IMF is shut lower when it is suggested as a factor inside a global terrorist bombing plot. Ghost Protocol is started and Ethan Search and the rogue new team must go undercover to obvious their organization's title. No help, no contact, from the power grid. You haven't seen a mission grittier and much more intense than this. Jason Bourne - Ghost Protocol Teaser PosterThat grittier element would explain the hoodie, obviously. This latest poster appears to become greatly consistent with that also we had a couple of days ago for the reason that Cruise is clearly still lower using the kids in the hoodie. It includes a small resemblance to recent poster hits like Mess Tailor Soldier Spy, with all of the amounts. Hey, they are both classy spy movies, to ensure that is sensible. Jason Bourne - Ghost Protocol has gone out on Boxing Day within the United kingdom - or otherwise in no time by half. Additionally, it stars Jeremy Renner, Josh Holloway, Paula Patton, Ving Rhames, Tom Wilkinson and, obviously, Simon Pegg.

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Friday, September 9, 2011

Firth to star in 'Railway Man'

TORONTO -- Colin Firth is set to star in epic drama "The Railway Man," helmed by Jonathan Teplitzky and based on the tome by Eric Lomax.Lionsgate U.K. has already snapped up Brit rights for the pic while Lionsgate International is handling worldwide sales and will shop the project to buyers in Toronto.Pic, which is adapted by Andy Paterson and Frank Cottrell Boyce, is based on Lomax's account of his torture during the construction of the Death Railway in World War II and his mission decades later to seek revenge on his tormentor.Paterson will produce through his Brit shingle Archer Street with Bill Curbishley and Pictures in Paradise's Chris Brown while Lionsgate U.K.'s Zygi Kamasa will exec produce.Pic, which marks the first major investment from Daria Jovicic's Latitude Media, will begin lensing in February 2012 in Blighty, Thailand and Oz and is an official Australia-U.K. co-production.Project reunites Paterson and Teplitzky, who recently collaborated on Matthew Goode starrer "Burning Man," which will screen in Toronto on Saturday.Transmission, which pre-bought "Burning Man" and released Firth starrer "The King's Speech" down under, will distribute the pic in Australia and New Zealand. Contact Diana Lodderhose at diana.lodderhose@variety.com

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Wednesday, September 7, 2011

GRB Ent. launches scripted wing

GRB Entertainment, which up until now has exclusively produced and distributed non-fiction programming, is launching a scripted division. Initially, the new division will acquire scripted films to be distributed internationally to both television and theatrical platforms. Later, GRB plans to produce its own films, said Marielle Zuccarelli, who has just been promoted to president of GRB's international division. "Going into scripted is very new for us," said Zuccarelli, who has been acquiring and distributing non-fiction TV series -- including Discovery's "Auction Kings," Animal Planet's "Pit Boss," WE's "Braxton Family Values" and CNBC's "American Greed" -- internationally for GRB for more than eight years. Prior to that, Zuccarelli distributed scripted programming for New Films International and Hypnotic. To launch the new division, GRB has hired Todd Olsson, veteran of Disney and Sobini Films, as vice president of feature films. Olsson says that the made-for-TV movie market is heating up across the globe as the reality trend fades a bit. "With the technology available now and the diversification of platforms, programming ends up being king," Olsson said. "A lot of the films that were staples that they could run again and again, for which they may own the rights for the next 15 years, have become outdated. Channels want stuff that's modern." Contact the Variety newsroom at news@variety.com

Tuesday, September 6, 2011

HDNet Fights Shooto Brazil Fight for B.O.P.E

Surging 205-pounder Glover Teixeira will have the chance to add another famous name to his rsum Aug. 25 when he meets UFC veteran Marvin Eastman in Rio de Janeiro. Andre Pederneiras, president of Shooto Americas and leader of Nova Uniao, announced Wednesday that Teixeira-Eastman will headline the eight-bout card for Shooto Brazils Fight for B.O.P.E. Modeled after the UFCs Fight for the Troops series, the private event will benefit Rios military police special forces, the Batalhao de Operacoes Policiais Especiais (Special Police Operations Battalion), and will air on HDNet Fights, Friday August 26th at 10pm ET.

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'Dancing With the Stars' Contestant Chaz Bono Speaks Out Against Critics

Chaz Bono is defending his right to compete on Dancing With the Stars against critics who say he shouldn't be able to take part in ABC's reality competition.our editor recommends'Dancing with the Stars' Chaz Bono Jokes Place Chelsea Handler in Hot Water with GLAAD'Dancing With the Stars': Chaz Bono Is a Long Shot According to Online Betting SiteChaz Bono's 'Becoming Chaz': What Critics SayChaz Bono's Rep: 'No Way Is He Going to Back Down' from 'Dancing With the Stars' (Video)Related Topics•Dancing With the Stars "It's made me realize I'm really glad I'm doing this, because America really needs to see this," the transgender activist told ABC News. PHOTOS: Meet the Season 13 Cast of 'Dancing With the Stars' Since ABC's official announcement that the transgender star was part of the Season 13 cast, the network's message board has been flooded with angry complaints. Meanwhile, conservative parents groups and media organizations have called for a boycott of the show. OneMillionMoms.com, for example, wrote on its website that the casting of Bono "is completely unacceptable and Christians should not watch the show, no excuses!" But Bono said the backlash has reinforced his belief that he's doing the right thing. STORY: 'Dancing With the Stars' EP Addresses Chaz Bono Backlash "You know, it just kind of shows why for me it's important to be on the show, because so little still is known about what it means to be transgender," he said. "And there's so many just completely inaccurate stereotypes and thoughts that people have." His mom, Cher, also has defending him on Twitter, saying "it took guts" for him to take part in DWTS. "I support him no matter what he chooses 2do," she tweeted. "It took courage to do DWTS!" STORY:'Dancing With the Stars' EP Reveals Why Chaz Bono Is a Good Fit for Show And in an interview with The Hollywood Reporter last week, DWTS executive producer Conrad Green said he thinks the naysayers might change their minds once they see him on the dance floor. "The thing that is also worth remembering one of the great features of our show is we got quite a broad-minded audience who are often willing to give people a chance," Green said. "They might have preconceptions about some of our celebrities before they meet them on the show, but on our show you get to see people in a way you've never seen them before." VIDEO: 'Dancing with the Stars' Chaz Bono Says He Has Cher's Approval Bono made headlines in 2009 when he announced his plan to undergo a sex change. He later wrote a book about the experience and appeared in a documentary about the transition, Becoming Chaz, that aired on OWN: The Oprah Winfrey Network, in May. Bono has been paired with professional partner Lacey Schwimmer for the upcoming season of DWTS, which premieres at 8 p.m. Sept. 19. Related Topics Chaz Bono Reality TV Dancing with the Stars ABC News

Kevin Smith Creates 'Porn for Actors' With 'Red State'

Kevin Smith Creates 'Porn for Actors' With 'Red State' By Jenelle Riley September 2, 2011 Photo by Ethan Miller/Getty Images Kevin Smith At this point in his career, Kevin Smith is as well-known for being a raconteur as he is for being a filmmaker. For good reason: Few people can speak as knowledgeably and humorously on any number of topics. Witness his take on growing as a director after "Clerks," his 1994 low-budget breakthrough known more for its incisive dialogue than for its visual strength: "I'm like a high school kid who got lucky and had sex with a porn star. Then I spent the next 20 years learning how to fuck properly."His latest film, "Red State," is probably Smith's most visually striking yet, showing he has indeed come a long way since casting his nonactor friends in a black-and-white indie. It also might be his most controversiala lot to say about the man who took on organized religion in "Dogma" and wrote and directed a flick called "Zack and Miri Make a Porno." The plot is contentious enough: Three high school boys looking to get laid find themselves kidnapped by a religious cult. But the film's notoriety comes more from Smith's marketing plan. First he said he would auction the film at its Sundance Film Festival premiere, only to sell the rights to himself for $20. (For some reason, this seemingly innocent publicity ploy outraged more than a few.) He then announced his plans to distribute the movie on his owntouring the country and renting out theaters for screenings combined with Q&A sessions.The tour continues (check Smith's website for details), and "Red State" will also be available via VOD beginning Sept. 1 and on DVD Oct 18. And now for a few words from the filmmaker about the road to "Red State":1. Michael Parks is the reason "Red State" came to be. "This whole movie exists because of Michael Parks," Smith says of the 71-year-old character actor who plays preacher Abin Coopera character not so loosely inspired by Fred Phelps of the controversial Westboro Baptist Church. "I saw [Parks] in 1995 at the beginning of 'From Dusk Till Dawn.' In the first 10 minutes of that movie, he comes on as a local law enforcement agent, and I had never seen him before. It's always amazing to me when someone can take words written on a page and inflect them to make them sound like they're saying them right there in that moment. I certainly can't do that!" Smith says he was captivated. "He was making choices I've never seen any other actor make. He was the movie and I wanted him to stick around, but of course they kill him off. I was like, 'No! He's the most interesting thing I've ever seen in cinema!' I remember saying to my producer Scott Mosier, 'My God, I have to work with this guy.' This guy has forgotten more about acting than I'll ever know. But it took me years to figure out what to do that I could cast Michael Parks in. I didn't want to call him up and offer him the role of Silent Bob's grandfatherhe's far too good for that. It took me a long time to think of something, but it was 'Red State.' " 2. "Red State" is "porn for actors." Smith adores actors, and he says actors love "Red State" because of the great performances from Parks, Melissa Leo, and John Goodman. Smith says he has been able to work with so many amazing actors because he writes scenes they can sink their teeth into. "That's how you get strong talent for your script: You write actor-bait scenes. Write some dialogue that any actor, even if they hate the films of Kevin Smith, will want to speak. Let them drop a monologueactors will line up to work with you. Because that's what they want to do; actors want to actthey're artists and it's in their soul. So if you give a real actor, not just some fly-by-nighter who wants a check, a chance to do something they don't normally get to do, they will line up." He points to his "Zack and Miri" star Elizabeth Banks as an example. "That movie didn't burn up the box office," he explains, "but she said it changed the game for her. People got to see how adorable she was in a lead role opposite Seth Rogen. I asked her once if she had fun, and she said, 'Kevin, how often does a woman ever get to play a part like this? Plus, I got to show off every chop I've ever wanted to.' "3. Ben Affleck is a thief. Smith's good friend and frequent collaborator Ben Affleck borrowed a print of "Red State" but never mentioned watching it. "I thought he didn't like it. Then I find out he cast John Goodman in his new movie, 'Argo.' Then he cast Kerry Bish and went after someone else in the movie. I was like, 'Why is this guy cherry-picking my cast?' He finally wrote me an email saying, 'I assumed by the fact I stole half your cast that you knew I did, in fact, like the movie.'" 4. Smith didn't really direct the film. Smith says he is the biggest fan out there of "Red State," adding, "I can say that because I take none of the creditI directed none of these people. You don't direct Michael Parksyou don't walk in there and say, 'Let me give you the benefit of my wisdom from 15 years as Silent Bob.' " He notes that his style has changed dramatically over the years. "I finally figured out, after nearly 20 years of doing this, that you don't so much direct a movie as much as host a production. For years I'd be like, 'Do as I say!' I used to treat them like puppets; I'd practically stick my hand up their ass and work them like Charlie McCarthy. But in the last few movies, I've learned to trust people more, and I've been turning it back on the crew. When someone asks how I want something to look I'd say, 'What do you want it to look like?' And they give you 110 percent." 5. Smith's gamble has paid off. Although some questioned Smith's choice to take his movie on the road, it has certainly paid off. "We had a $4 million budget, and we've already made it back through our foreign sales and the tour and VOD and DVD deal," he reveals, adding that he never considered the venture risky. "I tour all the time anyway, just standing on a stage with a microphone, without even having a film. So I knew this would work." Smith has wanted to get away from the traditional model of spending millions on marketing to open a film big, hoping to make all the money back in the first couple of weeks. He credits Harvey Weinstein, whose Miramax distributed "Clerks," with teaching him that filmmaking is a marathon, not a sprint. "Harvey once said, 'The movie doesn't begin and end when the lights go down and come up. The movie begins long before they get in the theater, and if you're a fucking magician, the movie never endsthey take it with them and it stays with them.' And I took that very seriously. After a Q&A one night, I overheard two guys walking out, and one guy says, 'Did you like the movie?' The other guy says, 'Nah, I thought it sucked, but I thought the fat guy was funny.' Right then and there I realized I missed them with the movie, but I got them with the Q&A. If he had just seen the movie, he probably wouldn't come back again. But if I came through with a Q&A, he might be back!" Kevin Smith Creates 'Porn for Actors' With 'Red State' By Jenelle Riley September 2, 2011 Kevin Smith PHOTO CREDIT Ethan Miller/Getty Images At this point in his career, Kevin Smith is as well-known for being a raconteur as he is for being a filmmaker. For good reason: Few people can speak as knowledgeably and humorously on any number of topics. Witness his take on growing as a director after "Clerks," his 1994 low-budget breakthrough known more for its incisive dialogue than for its visual strength: "I'm like a high school kid who got lucky and had sex with a porn star. Then I spent the next 20 years learning how to fuck properly."His latest film, "Red State," is probably Smith's most visually striking yet, showing he has indeed come a long way since casting his nonactor friends in a black-and-white indie. It also might be his most controversiala lot to say about the man who took on organized religion in "Dogma" and wrote and directed a flick called "Zack and Miri Make a Porno." The plot is contentious enough: Three high school boys looking to get laid find themselves kidnapped by a religious cult. But the film's notoriety comes more from Smith's marketing plan. First he said he would auction the film at its Sundance Film Festival premiere, only to sell the rights to himself for $20. (For some reason, this seemingly innocent publicity ploy outraged more than a few.) He then announced his plans to distribute the movie on his owntouring the country and renting out theaters for screenings combined with Q&A sessions.The tour continues (check Smith's website for details), and "Red State" will also be available via VOD beginning Sept. 1 and on DVD Oct 18. And now for a few words from the filmmaker about the road to "Red State":1. Michael Parks is the reason "Red State" came to be. "This whole movie exists because of Michael Parks," Smith says of the 71-year-old character actor who plays preacher Abin Coopera character not so loosely inspired by Fred Phelps of the controversial Westboro Baptist Church. "I saw [Parks] in 1995 at the beginning of 'From Dusk Till Dawn.' In the first 10 minutes of that movie, he comes on as a local law enforcement agent, and I had never seen him before. It's always amazing to me when someone can take words written on a page and inflect them to make them sound like they're saying them right there in that moment. I certainly can't do that!" Smith says he was captivated. "He was making choices I've never seen any other actor make. He was the movie and I wanted him to stick around, but of course they kill him off. I was like, 'No! He's the most interesting thing I've ever seen in cinema!' I remember saying to my producer Scott Mosier, 'My God, I have to work with this guy.' This guy has forgotten more about acting than I'll ever know. But it took me years to figure out what to do that I could cast Michael Parks in. I didn't want to call him up and offer him the role of Silent Bob's grandfatherhe's far too good for that. It took me a long time to think of something, but it was 'Red State.' " 2. "Red State" is "porn for actors." Smith adores actors, and he says actors love "Red State" because of the great performances from Parks, Melissa Leo, and John Goodman. Smith says he has been able to work with so many amazing actors because he writes scenes they can sink their teeth into. "That's how you get strong talent for your script: You write actor-bait scenes. Write some dialogue that any actor, even if they hate the films of Kevin Smith, will want to speak. Let them drop a monologueactors will line up to work with you. Because that's what they want to do; actors want to actthey're artists and it's in their soul. So if you give a real actor, not just some fly-by-nighter who wants a check, a chance to do something they don't normally get to do, they will line up." He points to his "Zack and Miri" star Elizabeth Banks as an example. "That movie didn't burn up the box office," he explains, "but she said it changed the game for her. People got to see how adorable she was in a lead role opposite Seth Rogen. I asked her once if she had fun, and she said, 'Kevin, how often does a woman ever get to play a part like this? Plus, I got to show off every chop I've ever wanted to.' "3. Ben Affleck is a thief. Smith's good friend and frequent collaborator Ben Affleck borrowed a print of "Red State" but never mentioned watching it. "I thought he didn't like it. Then I find out he cast John Goodman in his new movie, 'Argo.' Then he cast Kerry Bish and went after someone else in the movie. I was like, 'Why is this guy cherry-picking my cast?' He finally wrote me an email saying, 'I assumed by the fact I stole half your cast that you knew I did, in fact, like the movie.'" 4. Smith didn't really direct the film. Smith says he is the biggest fan out there of "Red State," adding, "I can say that because I take none of the creditI directed none of these people. You don't direct Michael Parksyou don't walk in there and say, 'Let me give you the benefit of my wisdom from 15 years as Silent Bob.' " He notes that his style has changed dramatically over the years. "I finally figured out, after nearly 20 years of doing this, that you don't so much direct a movie as much as host a production. For years I'd be like, 'Do as I say!' I used to treat them like puppets; I'd practically stick my hand up their ass and work them like Charlie McCarthy. But in the last few movies, I've learned to trust people more, and I've been turning it back on the crew. When someone asks how I want something to look I'd say, 'What do you want it to look like?' And they give you 110 percent." 5. Smith's gamble has paid off. Although some questioned Smith's choice to take his movie on the road, it has certainly paid off. "We had a $4 million budget, and we've already made it back through our foreign sales and the tour and VOD and DVD deal," he reveals, adding that he never considered the venture risky. "I tour all the time anyway, just standing on a stage with a microphone, without even having a film. So I knew this would work." Smith has wanted to get away from the traditional model of spending millions on marketing to open a film big, hoping to make all the money back in the first couple of weeks. He credits Harvey Weinstein, whose Miramax distributed "Clerks," with teaching him that filmmaking is a marathon, not a sprint. "Harvey once said, 'The movie doesn't begin and end when the lights go down and come up. The movie begins long before they get in the theater, and if you're a fucking magician, the movie never endsthey take it with them and it stays with them.' And I took that very seriously. After a Q&A one night, I overheard two guys walking out, and one guy says, 'Did you like the movie?' The other guy says, 'Nah, I thought it sucked, but I thought the fat guy was funny.' Right then and there I realized I missed them with the movie, but I got them with the Q&A. If he had just seen the movie, he probably wouldn't come back again. But if I came through with a Q&A, he might be back!"

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